Almost Spring!

It’s hard to believe that it is almost spring. We are just 17 days from spring equinox and there is so much snow it could be July before it all melts.

Things have been going great the pottery for over a year now which is the reason I have little time to write blogs, but I regularly post photos of works in progress as well as finished work on my pottery Facebook page. https://www.facebook.com/PoterieLmSerafinPottery
It would be great to have a few more fans or “likes” and get the word out about LM Serafin Pottery!

When I last wrote I had just documented the making of my new sign that now is hung at the top of our road on Hwy 315. We’ve had so much snow this winter that it’s nearly buried there by the side of the road and each time the snow plow comes by, shooting it’s gigantic snow waves off the road, my poor sign gets turned sideways and the pot gets filled up with dirty snow. People have remarked that they’ve nearly missed the turn off because the sign is not very visible right now being practically buried or hanging sideways and behind a huge snow bank, but with some melting of the snow this week, maybe the sign will be more visible soon.

This winter has been hard on everyone across Canada and the U.S. health-wise, including me. As I write my ears are almost completely plugged up with an ear infection. I feel like I’m wearing ear muffs. I’ve been hearing so much about people getting sick with influenza that it has become daily news.

Before Christmas I had a few days of a gastrointestinal thing but it was over before I even realized what had happened, luckily for me. On New Year’s Eve I came down with influenza and it took me about 3 weeks to recover. I had a blissfully healthy three weeks following that before influenza part deux hit and now 12 days later, after two days of the worst body aches I have ever endured in recent memory, I am on Day 5 of antibiotics that were prescribed for “the worst ear infection ever seen in an adult” so said my nurse practioner. Hence the feeling of wearing ear muffs. But I shall survive! And pottery making will go on. I can feel it in my bones. I’m starting to miss the slippery mud between my fingers. I’m flipping through the latest issue of Ceramics Monthly totally craving getting back into the studio. I have orders to finish up too and would like to get those orders to my customers as soon as possible!

If you’ve been following my blogs then you know that pottery making is a long process. Along the way you learn that in order to have nice results in the glaze firings you must load your kiln so that there is little congestion and lots of air flow throughout. Staggering shelves if you have half shelves instead of full shelves is one way to do it, but also limiting the number of flat things you fire in each load is essential.

I have had quite a few orders for plates in the past two years and can only fire about 4-8 at a time depending on the size of plates – saucers, luncheon, dinner and charger plates, platters and square plates have all been ordered by several customers during this time. Glaze colour matters too. Some glazes fire better in the hot spots while some fire better in the cool spots in the kiln. Knowing thy kiln and how it fires best is a part of the puzzle that often takes the longest to figure out when you are new to firing a kiln. It’s a learning curve that often results in lost pots due to over firing and pots that need to be re-fired because where they were just wasn’t hot enough for the glaze to melt properly. But how else will you know unless you make those mistakes? Some mistakes can only be corrected by re-firing and other mistakes need a hammer.

To compensate for all the plates that have been ordered, I’ve been making lots of tall mugs, beer steins, pitchers, teapots and goblets. I’ve also had to make a lot of soup bowls and while they are not especially tall, they are in demand and I always seem to need them. Mugs and bowls are the most popular items that are purchased in my little gallery. They make great gifts. They are the least expensive items that I make and can be very personal.

I’ve really had to step up production this past year to get my orders out in a timely fashion so imagine my disappointment catching yet another flu bug over a week ago. When you are sick, the last thing you want to do is wedge clay or have your hands in water all day long throwing pots on the wheel. This particular flu bug (part deux) really knocked me for a loop. I had to cancel so many plans! I had tickets!

I haven’t worked out for almost 2 weeks and I’ve barely left the house except to go get medicine for my ear infection and get the tailpipe fixed on the Jeep. I have read three novels, taken lots of naps (or just slept really late in the morning), watched a dozen movies or more, made three large pots of soup and thankfully I’ve managed to keep up with the housework although vacuuming is off the list right now because it hurts my ears.

I’m just itching to get out for a walk. I need to get back to my daily yoga practise. I guess I am on the mend if I’m talking this way. :-)

Well, the chicken broth smells delicious and I can hardly wait for more homemade soup. Last week it was Smokey Tomato soup. This week I think I will make Potato, Kale and Leek soup. Hey, did I tell you that I’m writing a cookbook? It’s an idea that’s been rolling around in my head for a while now. I’m focusing on quick, healthy dishes served up in lovely pottery. I think the photos of the food in my pottery are going to be the best part of the cookbook! ;-)

Posted in life, my work | 4 Comments

How I Made My Sign for My Business in 13 Not-So-Easy Steps

#1 Change your business name so you have to make a new sign.
It came to my attention that the name Poterie du Lac la Blanche/The La Blanche Lake Pottery, although catchy, was not going to cut it anymore. I had to start using my real name as my business name and the sign has to be bilingual because I live in Québec so “Poterie LM Serafin Pottery” it is and it’s perfect. Simple, to the point, and not much lettering to paint.  Bonus!
My background as a sign painter:
Self-taught.  Fairly good penmanship.  Have cheap paint brush and a “can-do” attitude.

#2 Find that piece of wood you had intended for another project.
There it is amongst a bunch of other pieces of wood propped up against the wall in the garage. A lovely piece of good quality plywood measuring 32″ x 32″.

#3 Paint it orange so it sticks out like a hunter in the woods during hunting season.
The reason my sign is orange is because I decided to paint the walls of my pottery shop orange and I had leftover paint, so naturally being the spendthrift that I am, the sign got painted orange too.  Well, actually I decided to paint the interior of my shop a lovely, low-key terracotta but something strange happened at the paint store that day. I lost my mind and chose a very bright orange that mimics a Hawaiian sunset. I haven’t been to Hawaii, but I have seen photos. And movies. Luckily the pots I make look great against an orange background! Whew!! And doubly lucky the sign really does stand out by the roadside in every season. Happy accidents are awesome. My life is built on them.

#4 Pick a font that is easy to read.
For the purposes of this sign, I decided to choose a font by simply going through the fonts available in Office Word 2003 and choosing something easy to read that sort of mimicked the maker’s mark I put on my pots, which is “LM.” I then printed out the sign to size (on several pieces of paper from the printer).
For other signs I have made I have used block lettering and free handed the lettering on the signs in pencil, but measured height and distance apart from each letter and each line of print. This is time consuming but making any sign is time consuming, so buck up and get ‘er done!

The signs pictured below:
The one on the left was painted on a white shelf I found at the trash house. I found two shelves and the 2nd one is attached with hinges at the top and serves as the back for this “sandwich board” style sign. The small sign on the right is also a sandwich board sign, but I had the wood laying around from another project, already painted white. Lucky me!

New signage painted just in time for my 6th Annual Summer Sale that was held in late June. The signs are out when the shop is opened…or when I actually remember to put them out!

#5 Decide where the lettering should go and if you would like anything else on the sign.
I chose to put my name at the top and leave room at the bottom for a half pot/planter to add some colour and beauty to my sign with the pot full of flowers. More on the pot-making aspect later.

#6 Carbon Paper is your best friend when using this sign making method that I dreamed up a few years ago. The idea is probably not original, but then again, maybe it is!
I used this method previously and it works well if you are patient and careful.  Without patience or care you end up with a crappy sign, so have both and you will be successful with your sign.
After printing out your business name/lettering to size (i.e. the size of the actual sign), tape the pieces of paper together and place them on the wood, taping the corners down. Slip the carbon paper under each section and trace your lettering onto the wood. Press hard to get a good transfer and you only need to trace the outside lines of the letters. Those will be your guidelines when painting in the lettering.

Pictured here:  the paper sections taped together and carbon paper (the black stuff).

Here’s a photo of the lettering after tracing. I’d already begun to paint the sign at this point.

It’s faint in the photo, but you can see the lettering outlined here.

#7 Paint in the lettering
I used paint an oil based Tremclad paint for metal only and I think it’s just fine for sign painting. As they say, make due with what you have and this is what I had.

LM painting the new sign and staying inside the lines!

I took the sign outside to paint because paints, especially oil based paints, are incredibly smelly and permeate the entire house. Eyoo!! Paint outside!

Once the lettering has been transferred on to the wood via carbon paper, just stay inside the lines with the paint. It helps if you drag your hand on the board while painting. It gives you a lot of stability.

#8 Let the paint dry completely.
If you leave it outside to dry overnight you’re likely to find a few bugs stuck in the paint, so bring it inside and put the sign in the garage. Let the paint cure/dry completely.

#9 Add something pretty or unique to the sign!
It could be your logo or in my case, a planter. That meant making a humongous clay pot and cutting it in half then when finished I would mount it on the sign. I wanted the pot to be my signature style and for me that is the textured pottery that I make, like this:

Textured jug. Photo by Jean-François Davignon.

#10 Construct the unique thing.
Because the textured pottery is made by hand (without the aid of a potter’s wheel) I first had to find some kind of mold in which to press the textured slabs to give shape and support. I have an old potter’s wheel that had a splash pan permanently fixed to it. When I got the wheel I was quite a bit larger than I am now and my belly was firmly pressed up against the splash pan as I tried to squeeze myself onto the seat of the wheel, but it was a no-go. The seat of this old wheel did not adjust. Because I couldn’t fit we made a decision to cut the splash pan off of the wheel so I could use the danged wheel. I tried using the wheel without a splash pan and it was completely ridiculous. I got soaked right through my clothes throwing the first pot and there was clay splattered everywhere! Suddenly I found myself in possession of two potter’s wheels that did not work. One with a fried circuit board thanks to an electrical storm and a hand-me-down wheel that I couldn’t use because I was too fat, then too wet. But I kept that old splash pan because I had a vision and it made the perfect mold for my new pottery planter!

#10 a. Make it work.
I patched the bottom then lined it with paper. Old telephone book pages makes for a great liner for molds in the studio.

Cardboard and duct tape. Red Green would be proud!

Side view of old splash pan.

#10 b. Create!
I made the textured slabs (now this part I can not show you or I would have to kill you), and then tore them apart and “patch worked” them into the mold. After the pot dried for a few days I removed the splash pan mold and this was the result.

After I took the pot out of the mold I added the rim. Still wet but drying up.

#10 c. Work on your vision.
The pot dried for a few more days then it was time to make some drainage holes in it and cut it in half. Half went on the sign that is at the top of the road and the other half will go on the sign that will be hung outside my shop, hopefully before summer is over.

Measuring and marking after making drainage holes.

I did it! I cut it in half.

#10 d. Have faith in your ideas!
Now I needed to add a piece of clay like a flange onto the freshly cut pot so I could attach the pot to the sign later. I’d made a sign with pots on it before and I used tile cement to attach the clay pot to wood. It was messy, wasn’t easy to glue two unlike materials together and the cement yellowed with age and didn’t look nice.

I rolled out a nice fat coil then flattened it, scored the edges of the half pots and attached the flattened coil like this.

The view from the outside.

All cleaned up. View from the side.

#10 f. Work gingerly.
After drying for a day or so I made holes in the flange so I could attach the pot to the wood with a few screws.

#11 Have patience.
With the pots completed, they were set aside under plastic to dry. After bisque firing they were glazed and fired again.

#12 Ask for help.
Once in a while I need some help. The wooden sign needed to be framed on the back and have hooks inserted in the top.  My partner is usually up for helping out when he can.

Framed and hooked.

Screwed.

Almost done!

#13 Attention to detail.
It was always my intention to put flowers in the planter, but I was concerned that the wet earth against the wood would rot the wood, so while falling asleep one night I had an idea.  Line the planter with plastic!  So I re-purposed a soil bag.

And added flowers.

Then hung it at the top of the road on my sign post.

Now that I’ve got one sign completed it’s time to do the 2nd one!

I hope you enjoyed my How-to blog.  Remember, when you visit, just turn right at the big orange sign with the flower pot on it.  You CAN’T miss it!!

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Too Busy to Write? Oh yeah!

It has been a crazy, busy, productive spring and now it’s the first day of summer; the shortest night of the year. Through it all I have been highly productive and it will continue until Sunday, the last day of my 6th Annual Summer Sale.

Something new this year: Pottery tours on Saturday and Sunday at 2 p.m. What does that entail? Well, I will be making pieces on the potter’s wheel and be able to show you how a lump of clay gets from that wet lump on the wheel head to a finished piece! So on Friday I will be busy making pieces that I can cut in half to show proper wall thickness, pieces that I can trim to show you how a proper foot ring is made and the equipment I use to make it, and pieces onto which I can attach a handle. Fun! Fun! Fun! And educational!

I’ll also be signing up students for summer courses this coming weekend, so if you ever wanted to try pottery, even on a casual basis, you can, right here at my little studio in Mayo, QC.

The sale begins on Friday, June 22nd and runs until Sunday, June 24th. 10 – 6 each day. Tours at 2 p.m. on Sat. & Sun only.

By the way, this is the only sale at which I actually slash prices of old stock to move it out of the shop and get my 2nds out too. 2nds are pieces with slight imperfections.

The kiln is cooling now and there are many new pieces to be fondled and gazed upon and purchased.

I hope you will take some time this lovely summer weekend to come out and see my work. There’s never an obligation to make a purchase, but in case you want to, there really is something for everyone. Prices start at $5 and there are many affordable pieces here for your pottery collection.

If you are a potter you might want to consider taking advantage of the 2 p.m. tours. You never know what you might learn that you never thought of before or that you weren’t taught by your teacher(s).

Looking forward to seeing you at The Pottery!
For pictures of the latest you can now find Poterie LM Serafin Pottery on Facebook!

https://www.facebook.com/PoterieLmSerafinPottery

Posted in fun stuff, my work, shameless self-promotion | 2 Comments

Busy Bee

As Kurt Vonnegut wrote in Cat’s Cradle, “Busy, busy, busy!”  The phrase Busy, busy, busy is what a Bokononist whispers whenever he thinks about how complicated and unpredictable the machinery of life really is.

As I sit and write the heat of the day dwindles, songbirds sing, black flies are buzzing and biting, geese overhead are honking and the tulips in my garden are in full bloom.

Life really is unpredictable, to say the least.  Work in the pottery is busy, but slow.

There are so many facets to my life.  I’m trying to live as healthy of a life as one can and for me that includes exercising every day, eating home cooked meals that are well-thought out and planned, singing in the local choir (because I hate Sudoku and this is a way for me to give my brain and my vocal cords a workout) and keeping things ticking in the pottery and in my home.

Spring cleaning?  Ha ha!!  Gardening?  Yes!  I love my flowers as you may recall from a previous blog, and this year as my way of greening the earth a little bit more I’m planting a veggie garden.  I would like easier access to organic vegetables and this is one way to get it. I just hope I don’t have to battle the wildlife for my lettuce, chard, beans and tomatoes!

Projects in the pottery are coming along, but not exactly the full tilt boogie that I’d hoped for.  Things happen, ya know?  Like today I ran out of homemade granola, so after making room on the kitchen counter for the mixing and baking of the granola by doing a huge load of dishes, the granola ingredients were weighed, measured, mixed and then into the oven it went.  During the baking I took care of some business email.

After the granola came out of the oven I braved the outdoors, now thick with black flies out here in the country, and went for a run.  Upon returning I had a quick shower and bite to eat and headed to town for my annual dental check up and cleaning then back home to hopefully get in an hour in the pottery, but I opted to write this blog instead because I knew that if I started in on the clay work that it wouldn’t get finished before I had to head out to town again for choir practice.

Sigh!  So now it’s time to go.  I have choir practice tomorrow too and our spring concert is on Thursday night.  Somewhere in the ongoing buzz of life I will get those saucers trimmed and that handle put on the jug and the dinner and luncheon plates made.

In the meantime I’m inviting you all to visit my brand new online boutique!  That’s what we’ve been working on since February.  Let me know what you think of it.
http://poterie.lmserafin.com/

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Brand New Year

Happy New Year!  Welcome to the first blog of 2012, a year of new opportunities and fresh ideas.

I had some special orders come to me in late November and early December so I was working quite a lot as the holidays approached.  It was so humid that my drying time was extended by 2 weeks, so about 4 weeks in total.  I like to dry things slowly to avoid cracking handles and such and I do so under several layers of thin plastic – the kind that comes from the dry cleaners.  At one point I thought I would have to force dry the pots in the kiln.  With this extended drying period I started to worry about my customers getting their pieces in time for Dec. 25, but that wasn’t an issue for anyone.  I felt very lucky.

At first it was as naked as a new born baby…

Katheryne's jar, and several mugs - bisque fired and sanded. K asked for a jar of a specific size so I sent her this photo with the ruler next to her piece to show the size.

Katheryne asked for a fat jar with a wide opening and she asked for it to be decorated with my wax resist spiral design.  After painting the wax design on it and glazing it, this is how it came out of the firing.

Still warm from the kiln, Katheryne's jar.

Another view. More Spirals!

She liked her jar very much.  Fran really appreciated that I could also deliver her little creamer to match the sugar bowl and teapot she’d purchased from me for her son, then she asked about a certain colour of glaze that might match her decor.  We had a lovely visit. I dropped by Oksana’s office afterwards and she was very pleased to get her tea mugs in time for Ukrainian Christmas.  It was a happy delivery day!  I took care of some business too.  I bought a brand new dust mask – a very important piece of equipment.

A few leaf plates that didn’t  make it into the summer and fall firings came out of the last firing.  I still have to fire a few more small square platters with handles and feet in the same leafy style.  I’m hoping they will be done by the beginning of March.  I’ve started a new cycle of work that began yesterday with the making some more textured mugs and smaller textured drinking vessels.  I’d taken some photos of the mug making process a while back but I’ll save that for another blog.

Square Leaf Plate

I can only make these plates in the summer months.  I use leaves from trees and bushes native to this area, press them into the clay, then place the clay slab into a mold.  When the clay is soft leather hard, I bevel the edges and then apply a foot ring or 4 feet and sometimes handles.  The piece is then bisque fired and glazed.  Once the glaze is dried, the surface of the glazed plate is wiped back to show the textures of the leaves.

Square Leaf Plate featuring Grasses

These Leaf Plates are food safe and can be used for food service or if one prefers, as a centerpiece for a small table or on a mantle or bookshelf on a plate holder.  They are about 8″ or 9″ square…ish.

I’d made and sold several round ones and this one made it into the last firing.

Round Leaf Plate featuring Wild Raspberry Leaf. Approx. 9 inches.

Round Leaf Plate - close up

In case you’re wondering, this is what the glaze on the underside looks like.

Copper green glaze, the hand built foot ring and my maker's mark.

I have a lot of flat things to make and fire in the near future and to compensate I must make tall things so I have a nice balanced load to fire in the kiln.  I’m running low on teapots and mugs and I’ve been asked to make large jars so must get to that too.

It takes pieces of all shapes and sizes to get a nice balanced kiln load of fired ware.  I regularly make small stuff to fit in those tiny spaces.  I’ve blogged about these tiny cups I’ve called Squishys.  Squishys are great for port, scotch and other whiskey, liqueurs or even wine if you desire a small amount.

Small drinking vessels that have been squished by my hand to fit comfortably in your hand.

 

Another view

Thanks for dropping by to see what I’ve been doing in the studio.  Please leave a comment.  I’d love to hear from you!

Posted in my work | 10 Comments

St. Brigid School Christmas Gift Sale

A couple of days ago the kiln was full of Yule decorations and terracotta wine cups (some carved and some painted with stripes of bright majolica glazes) and were cooling. What pretties are in there?? We’ll see later on in this blog.

My gallery in Mayo is opened on weekends, but on Saturday, December 3rd, you’ll find me at St. Brigid School Christmas Gift Fair at 200 Springfield Rd in Rockcliffe (Ottawa).

Come for a visit!

Yule/Christmas tree decorations – the first round.

"Raspberry Crystal" 7 pointed star. White earthenware with layered glazes and bursting crystals fired to cone 06.

"Spot On" 7 pointed star. White earthenware with layered glazes fire to cone 06.

Yule tree decoration. Terracotta (red) clay with white slip decoration for coloured balls. Multiple glazes. Fired to cone 06.

5 pointed small star in "purple haze." White earthenware. Fired to cone 06

7 pointed star "Blue Fire." White earthenware with layered glazes and vintage (yes, leftover from the 70's!) bursting crystal glaze in the centre.

Terracotta "Gingerbread" men with white slip for realistic looking icing. Each one has a name. This is "Georges."

I also have crescent moons, terracotta teddy bears (high on the “cute” scale), hearts, stars and bells.

Here are some photos of what came out of the kiln recently.

"Tangerine Christmas." White earthenware with layered glazes and a vintage 70's bursting crystal glaze centre.

"Little Green Planet." White earthenware with layered glazes. Bursting crystal glaze centre. (Hey some glaze co.'s are making them again!)

Dove with a message carved in. White earthenware. Fired to cone 06.

I have doves with messages of hope, faith, love, peace, espoir, paix et amour.

Some of these 7 pointed stars are super glossy and hard to photograph.  I got this one while it was laying down, completely unaware of my camera lens fixed on it.

7 pointed star "Blue Lime Burst." White earthenware with layered glazes and vintage bursting crystal glaze centre.

"Memories of Jellied Salad, Christmas 1968" White earthenware with layered glazes and vintage bursting crystal glaze centre.

Doves and 7 pointed star, "Star Brite." White earthenware with layered glazes and bursting crystal glaze centre.

These carved terracotta wine cups are unglazed (except for the rim) for a reason. The earthenware cups absorb acid from wine allowing a rich full flavour to emerge.

Wine cups. Carved terracotta clay with glazed rim. Fired to cone 06.

There is so much more to show you!  You’ll have to come and see for yourself on Saturday at St. Brigid, 200 Springfield, Ottawa.  10 am- 2pm.  Thanks for your support!

Posted in fun stuff, my work | 9 Comments

The Next Day

Thursday, November 3rd

I slept in until 7:30 a.m., but can I really call it “sleeping in” when I went to bed at 11:30 p.m. the night before?  I let the cat out. Hunting is best at first light.

I ate breakfast in front of the computer as usual and checked my website for things that needed updating.  My Annual Fall Sale is slated for Nov. 5 & 6.  I feel exhausted. I spent a lot of time in front of the computer in my pj’s and now it is nearly 11 a.m.

Okay, I’ve changed into my work clothes and loaded the dishwasher and checked the small kiln full of freshly fired bisque ware. Still too hot to open.  I look around my studio and decide in what order I will complete today’s tasks.

11:30 – Review website updates with webmaster.

11:40 – In the studio.  I need to paint wax resist designs on bisque ware…first I need guidelines. This is what I call “Daisyware.”

Marking the pot for wax resist design.

Then I coat my paintbrush with soap to protect the bristles against the gooey liquid wax, which then washes out nicely with hot water and more soap when I’m done applying wax.

"Madge! I'm soaking in dish washing liquid!?"

I dip my paintbrush in the mint green liquid wax…

Jar of wax.

And then most times I follow the guidelines.  ;-)

Painted with liquid wax so the pot doesn't soak up the glaze. The result is a toasty orange flower against a background of electric blue, the most popular glaze for my Daisyware, featured right at the top of this page!

Wax takes a good two hours to dry.  You don’t want to dunk a wet waxed pot into a bucket of glaze because the wax could contaminate the glaze and then be doing some weird things to future pots.

It’s 12:17.  I’m really hungry!  I check Little Blue.  600 degrees F.  Still too hot to open. I’ve completed painting on all the wax designs so I’m going to stop for lunch. Mmmm…egg, toast, freggies.

1:00 p.m.  I begin the next task.  Glazing.  I’d glazed some stoneware pots the night before and need to finish that.  Long ago I learned to label my glazed pots so I know what colours I’ve used.  Two reasons:  1.) Glazed pots can often look similar in colour to each other; for example, the white glaze and the blue glaze are very hard to tell apart from each other when dried on the pots.  If I start a job the night before and don’t label it how can I be sure if I’ve glazed it blue, white, iron red or iron yellow?  They all look too similar to tell for sure. 2.) I need to know the colour so I know where to load it in the kiln for best results. Some glazes fire better in cool spots and some fire better in hot spots.  When you are working a long glaze day you can get pretty tired and goofy by the end of it and that is when you are loading the kiln.  You need to know what you are loading and where you’re going to load it.

The work I did the night before.

Ready for glazing.

By 4:00 p.m. I have glazed 52 Christmas decorations, 25 bowls of varied size, 1 vase, 10 vessels for drinking, 4 plates, 1 creamer and sugar bowl set, and 3 microwave lids.  I have other glazed pieces on the shelving from a previous glaze day.  Several of these pieces have more than one glaze that has been applied and of course some have wax resist designs on them.

Glazed pottery almost ready to load into the kiln. I will have to clean the foot rings first.

4:15 – I’m done for the day.  I have choir practise tonight at 7:00 p.m. so I must get cleaned up and make dinner.  It’s too bad I couldn’t get the pots cleaned and loaded into the kiln tonight.

5:00 – Doh! Moment. Wait a minute!  I have to get the kiln going tonight!  If I don’t I won’t be able to unload the pots in time for the opening of my sale!
Plan B because Plan A never works anyway.
Go to choir because we always learn new songs and I don’t want to fall behind.  Leave at the break at 8:30.  Come home and clean the pots, load the kiln and start candling* (*warming the kiln to 200 degrees F and holding it there for about 2 – 4 hours to completely dry the glaze on the pots).

9:10 – home from choir.  Break was scheduled a little later than usual and then there’s the drive home – about 20- 25 minutes.  It was a productive practise.  I’m happy I went.  It crossed my mind to cancel altogether, but I felt the need to get out of the house.

9:30 – I’m in my work clothes.  My partner and the cat have been greeted, kissed and petted.  I have a bucket of hot water and I’m ready to clean foot rings.

Before…

So, the wax resists MOST of the glaze. Just a quick and wipe with a damp sponge and...

Voila! All that is left is dried blue/green wax that burns off in the kiln. If you don't clean the glaze off the bottom the piece will fuse to the kiln shelf when fired. No, that doesn't sound good does it? It's not.

Ever wonder how a kiln is loaded?  Well, first of all it’s just one big open space and you build as you go, starting at the bottom with a shelf of glazed ware.  In this photo, there is already some pots loaded into the kiln because I was tired and forgot to take a picture before loading.

Like a shadow or haze, the marks on the shelves are from previously fired pots.

I place stilts of my desired height on the shelves, 3 on each side…

Almost at the top. From L to R, "The Nicole" mugs, wee Xmas decoration, cafe au lait bowl, microwave lid.

Yeah…microwave lids!  We used to use those plastic domes that cost about $1, then one day scientists discovered that plastic + microwaves seemed to = EYOO, so I thought to myself, why not make a lid outta clay?  I’ve been using mine successfully in my microwave for over two years and have just started making them to sell.

Vase, creamer and sugar bowl, spoon rest and a small and large microwave lid.

It’s 11:55 p.m. and I’m done loading the kiln.  It’s candling now and I’m going to check it for moisture in an hour.

Friday, Nov. 4
1:00 a.m. – It’s very wet in the kiln.  I use a mirror to test for moisture and it was a very steamy little mirror.  I’m going to bed and will have to set my alarm so I can get up and check it again.

3:30 a.m. – My alarm just went off.  The glazed ware has dried.  I shut the lid of the kiln and start firing.  Thank goodness this kiln is computer controlled and I can go back to bed for a few more hours.

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A Day in the Studio During a Busy Week

Have you ever wondered what a typical day for a potter is like?  No day is ever “typical” for me, rather each day is unique, but just to give you an idea I tracked two days of my activity.

Day 1
Wednesday, Nov. 2, 2011 – 6:30 a.m.
Alarm goes off.  I immediately contemplate the value of 30 additional minutes of sleep.  It’s very dark outside.  I lay quietly for a few minutes and then get up at 6:40.  I get dressed in several layers of clothing. The house is cold and my studio will be cold too.

The cat is on my office chair.  She’s awake too.  I guess she stayed in because it was too cold for her for an overnighter outside.  I fill the kettle with water and put it on to boil. The running water makes me wish I had gone to the bathroom before filling the kettle. While I’m in the bathroom/laundry room I start a load of wash.

I get my homemade granola and vitamins from the pantry and yogurt from the fridge.  I make lemon tea.  I go over and pet the cat and turn on my computer.  It’s now 7:00 a.m. and the cat wants out.  I go turn the heat on in the studio.

I slowly eat breakfast while doing my morning computer ritual.  I don’t have a lot of time today for computer stuff and we all know how we can get sucked right into it.  After almost an hour of Facebook, Spark (health, weight loss website) and email, it’s 7:50 a.m. and my partner (who is on vacation this week) gets up and greets me with his usual sleepy kiss on his way to the bathroom.

The amount of email I have today overwhelms me.  I remember that email isn’t important but my work is, so I go fold clothes left in the dryer from yesterday.  I tell myself I’m not procrastinating, but that it is a task that has to be done regardless of what else is going on, because doing laundry is one of my jobs.  I volunteered for it.  I really did.

8:10 a.m. – back at the computer.  I’m looking at the weather forecast and deciding when I will go for a walk.  Later when it’s warmer outside – a predicted high of 13 degrees Celsius on Nov. 2.  Pretty nice!

8:15 a.m. – the  cat wants in.  She eats 2nd breakfast.  I pick her up and we cuddle for a long time (in cat time).  She’s 10 years old now.  I chat with JF who now has coffee and is also at his computer doing his morning ritual.

8:30 a.m. – I wander into the kitchen.  I’m restless and know I need to work.  I prepare for work by washing last night’s pots and pans.  The kitchen sink and counter need to be clean and cleared off.

8:45 a.m. – I head into the studio with an arm load of freshly washed pots from the day before.  They were all drying on the kitchen table.  I survey what needs to be done.  I look at the work I have produced from mid-September until now and wonder why I feel like a slacker.  There are a lot of pots!  I recall a conversation between me and JF about how my job is really a job for 5 people – a pot-maker, a labourer, an accountant, a marketer and a shop keeper.  Because I am self-employed, I get to decide what I do every day and often times I am literally working all day long on one thing or another related to my art work but it’s not always about making pots.  Sometimes it’s writing email to customers or advertising a sale or making my shop look pretty or cleaning up a big mess in the studio.  And none of it really “feels” like work…well, except for cleaning the studio.

I have clay work in every stage imaginable – wet work that is drying, dry work ready for bisque firing, bisqueware that has been sanded and washed and now ready for waxing, bisqueware that is waxed and ready for glazing, glazed low fire work ready for firing and bisqued low fire work in the process of being glazed.

I go back into the house and collect more dried pots from the kitchen table and deliver them to the pottery.  I count my steps.  60 steps round trip.  Depending on what I’m doing in the pottery I can make 30 trips a day including going into the house for meals, snacks, pee breaks, tea breaks, water for me, buckets of water to throw pots, buckets of water to clean stuff and the general need for a sink with running water when I rinse dust off of freshly sanded pots.  No, there is no water supply in my studio.  There is an upside.  Firstly my studio can be entered through the main house.  It is not a detached building, it’s a converted attached garage.  Secondly, there was a huge savings and a lot of work avoided with the decision to refrain from getting water and a sink in the studio.

8:59 a.m. – one more load of pots to deliver.  Put wet clothes in the dryer first.
9:00 a.m. – the waxing of foot rings begins.
10:08 a.m. – I want chai tea with vanilla soy milk, so I go make tea.
10:10 a.m. – waiting for the water to boil, I fold the 2nd load of laundry and put it away.
10:20 a.m. – I’m aware that I have to go get groceries this week, probably Friday.  I start a grocery list and decide to make applesauce with the 4 lonely looking apples on the kitchen table.  Not now.  Later.  I make a note to collect all the trash cans from around the house and empty them into the kitchen trash bin.  It stinks but the bag is only half full.  I contemplate the benefits of having a smaller garbage can.
10:30 a.m. – back in the studio waxing foot rings.
10:50 a.m. – waxing is done for now.  I start back at the glazing of Yule decorations I started yesterday.  One more coat of blue.
11:00 a.m. – 11:28 a.m. – Got the idea to write this blog.  It is written in longhand on paper.
11:30 a.m. – I’m hungry.  I declare lunch time.  I root in the fridge for something to eat while simultaneously taking stock of what’s in there already and what I can do with it.  The last of the homemade squash, apple and pear soup goes into a bowl and into the microwave to warm.  I pull out an almost meatless roasted chicken and get the last of the white meat off the carcass for a half sandwich.  I fill a pot with water and put the bones on to simmer for chicken stock.

When I’m in the kitchen I seem to be able to work all four limbs with the precision of a professional jazz drummer, opening and closing cupboard doors, turning on the tap, the stove, toasting bread and stirring soup.  I am woman.  Watch me multi-task.

11:45 a.m. – in front of the computer with lunch to answer email, check my Etsy page, refresh the shameless self-promotion of my annual fall sale on Facebook and I’ll admit to several rounds of Scrabble too.  I think I have about 10 games going on.  I’m currently addicted to two things:  Scrabble and the TV series “Mad Men.”

1:00 p.m. – I come out of my computer induced hypnosis and quickly load the dishes into the dishwasher.  It’s full.  Soap, rinse agent.  Smart wash.  Turn off heat.  (Do not use heat to dry your pottery in your dishwasher.)
1:10 p.m. – on the front deck in the sunshine, writing.
1:20 p.m. – back in the studio.  I’ve got to load the low fire glazed stuff into Little Blue. Yes, I think I can begin.

Close up shot of some of the 7 pointed stars

7 pointed stars, glazed but not fired

Inside there are small 5 pointed stars, large 7 pointed stars and Xmas trees.

Little Blue is the name of this old kiln.  She was given to my by the Sunahara Family – my brother-in-law’s family – because it was no longer needed.  It was Grace Sunahara’s kiln and she passed away a while back so I inherited her kiln, her wheel, tools and a lot of raw materials for making glazes.  Little Blue was born in 1952.  This is how she looks from the outside with the lid opened.

Obviously this kiln is a work horse.  She works wonderfully well and has never failed me.  I have to fix her lid which is falling apart, as you can see, and she’s pretty rusty, so I need a bit of patch work done too.  There never seems to be enough time or a convenient time to do repairs.  Sometimes it takes a crisis for it to happen.  The lid falls in and you’ve GOT to fix it.

1:40 p.m. – I need to glaze more stuff so I can fill the kiln.
Finishing a terracotta wine jug.

Holding the jug sideways with my hand inside, I paint the glaze on thickly while turning the piece.

The jug is not yet dry enough to load into the kiln, so I started painting Xmas trees.
2:05 p.m. – thinking of taking a walk/run @ 2:30.

Glazing terracotta Xmas trees.

These trees are very popular.  They are fairly labour intensive.  First I roll out a large slab of clay with my HUGE rolling pin.  I don’t have the money or room for a slab roller in my studio and besides that I like to impress people with the size of my rolling pin.  Then I use a paper pattern that I drew and cut out of an old file folder.  This tree is reminiscent of the felt trees that my Grandmother Mary sewed onto our Christmas stockings that she made for each of us three kids.  She was very handy with a needle and thread, a sewing machine, a crochet hook, glue, sequins and glitter.  I inherited that same gene from her.

I have three paper trees and I lay them on the clay and I used to trace a line around them, then cut them.  This year I omitted the tracing step and went straight to the cutting stage by cutting around the patterns and it seemed to work fine and saved me some time.  After the trees “set up a bit” (my term for me walking away from them and letting them dry in the open air for awhile).  When I can do so without distorting the shape, I move them onto a board to dry up some more.  This time they are covered for slower drying.  I get them out of the way and do something else in the meantime.  After they have dried to leather hard I bevel the edges of each piece, sign them and then get my squeeze bottle of white slip (liquid clay) and dot each tree with “balls.”  After the trees are bone dry they are bisque fired and then glazed.  I chose terracotta for the tree part because I like the way the holly green glaze looks on that clay – deep and dark.  I chose to use white slip balls because the Christmas balls needed to have a true red, blue and yellow and the only way to get that is on white clay.  So first I paint around all those balls with holly green glaze.  I have to paint on 3 coats for good coverage.  That means this year I will have painted around 270 balls. That’s a lot of balls.  After the green glaze is dry I put a dot of yellow, red or blue glaze on each ball and then it gets fired once again.

<will insert pic later when the kiln is cool enough to unload>

2:32 p.m. – exercise break.  Clean paint brushes, put lids on glaze pots, get changed from work duds to workout duds, have a few sips of chocolate soy milk, strap on my HRM and get going.
3:00 p.m. – head out for my walk/run.
3:40 p.m. – 4K in 40 mins.  Mostly walking.  The running wasn’t in me today for long.
3:45 p.m. – changed out of sweaty workout clothes, cooling down and eating an apple while writing.  Cardio is done, but today is strength training day too.  Later.
3:52 p.m. – plan the rest of the day and supper.
4:00 p.m. – finish loading Little Blue and turn her on low.
5:00 p.m. – start glazing the stoneware pots.
6:00 p.m. – Quitting time and firing time.  I need to fire Little Blue so I can no longer work in the studio.  The fumes are nasty so, I open the window, put all lids back on the glaze buckets and I vacate the studio shutting the door firmly behind me, go wash my hands and change into workout clothes again.
6:30 p.m. – The 30 Day Shred with Jillian.
7:00 p.m. – go turn up the kiln.  Start dinner.  Broiled white fish, steamed broccoli and potatoes.  Top fish with pesto.  Yum!
7:30 p.m. – settle down to dinner and several episodes of Mad Men Season 3, back to back. 8:00 p.m. – turn up the kiln
9:00 p.m. – turn up the kiln
10:00 p.m. – turn up the kiln
11:00 p.m. – turn up the kiln
11:30 p.m. – go to bed

…to be continued

 

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Your Very Own Squishy

Last week I decided to make some squishy cups.  I call them squishy cups because just after I make them I SQUISH them…but not too hard!

First just let me tell you how difficult it is to take pictures while I’m working.  Taking photos with one hand is definitely challenging.  Keeping the camera clean from wet clay is even more challenging!

A series of pictures showing you how it’s done:
First I centre a big lump of clay so I can throw off the hump (mound) because squishy cups are small and I don’t want to wedge dozens of very small pieces of clay – one for each cup.

centering the mound of clay

Then I bring up a small piece – just enough for one cup and my thumb finds the centre so I can open the clay.

finding centre

Then I make the opening.

opening the clay

All of this is done with two hands on the clay at all times…except when I’m trying to take a picture to illustrate how it works.  I like this particular vantage point because you are seeing it as if YOU were at the wheel!

Why two hands?  Two hands on the clay gives you more stability.  I usually use one hand as if my fingers were a tool and the other hand to guide or give pressure to the “tool” hand to move the clay.

opened and ready for shaping

It doesn’t look like much now, but three pulls later…

done!

…and it’s done…except for one important detail. The Squish!

"Batman" angle shot on the drying stage

First you have to dry it just a bit.  Then you have to grasp the pot.

gently...

And very carefully, but with authority, SQUISH it!

I'm squishing it!

The lovely thing about these squishy cups is that they fit really nicely into your hand, as you can imagine.

cutting the cup from the mound

After drying the cup a bit more with the heat gun, I make a guide mark near the bottom of the cup and cut it away from the mound of clay, then make another squishy cup.

Six squishies

They all have slightly different shapes so you have to touch them, hold them, feel them… (Oooooh!) just to know which one is “right” for you.

Posted in How-to, my work | 15 Comments

How Time Flies

September has flown by at the speed of sound.  I hardly believe it’s nearly the middle of October.  Thanksgiving has just passed and we enjoyed it with family, plenty of squash and a lot of sunshine.

I’ve been quite busy all summer beginning with my Annual Summer Sale around St. Jean Baptiste Day near the end of June each year.  After that we entertained quite a few summer guests during July, and in August I had minor surgery and was recovering for 4 weeks after that.

I thought that keeping a regular blog about my pottery work would be easy.  Well, it’s not difficult to find things to write about, but what is hard is finding the time to do it in between all life has to offer as well as what we are obliged to do, like eat, sleep, cook, wash ourselves and our clothes…you know, human stuff.

Another difficulty is to find balance between creating my work and marketing my work.  I guess I’m marketing my work by blogging about the process, but it feels a lot more personal than that.

My question to myself is often, “How much time on the computer can I spend before I start to feel the urge to be in the studio because I’m writing about it?”  It’s like when you see a person yawn, you yawn too…or when you read the word yawn, it actually makes you yawn.  In the same way we are affected by seeing someone yawn, I am moved to go play with clay as I write about it.

I’m also very aware of the passing days and the craft show at the end of the month followed by my own open house the weekend after.  If I’m writing about making pots it means I am certainly not actually making any pots.  And I can guarantee you that if I’m writing, I am multi-tasking.  For example I’m eating lunch and typing between bites.

As I was saying, there is a craft sale coming up at the end of October, on Saturday, October 29, 2011, to be exact and it will be held at the Buckingham Elementary School at 615 George St. in Buckingham (Gatineau), QC.

This is my first experience with this craft sale and I chose it because it is local and the money being raised by the organizers is going into the school library fund.  I think it’s really important for children to have access to a great school library, so I’ll be there with a sampling of my pottery for every day living and lots of tree decorations for the upcoming holiday season.

For each sale I try to create something new.  Right now I am knee deep in Yuletide decorations and I have created some new ones (doves and paisley peacocks) that I’m very excited to debut this year! It’s kind of odd making stars and gingerbread men decorations when the leaves are turning red and yellow, yet my work cycles are long therefore a lot of thinking ahead is required.

Terracotta "gingerbread" men.

For my Annual Fall Sale I have been really getting into making café au lait bowls which happen to be the perfect size for all sorts of things besides café au lait.  They make the perfect cereal bowl that can be cradled in your hand while you are wrapped up in Grandma’s quilt watching cartoons on frosty Saturday mornings.

Picture yourself with a bowl of steaming hot "anything" in this lovely bowl.

Well, lunch is over and I have bowls to trim, so I must get to that, but do come by sometime soon and check out the gallery and studio in person.  The perfect day just might be on a weekend coming soon.  Our Annual Fall Sale is on Saturday, November 5 and Sunday November 6 from 10:00 a.m. until 6 p.m.

P.S.  So, did you yawn when you read the word?

 

Posted in my work | 11 Comments